A Grace-Filled Sunday

This image was sent to me this morning by my granddaughter, Olivia. She called it Beautiful Nanny Dancing. This is Olivia’s love speaking. Sixteen years of love and exchanges of all sorts have led to this moment – when Olivia photographs the release of her grandmother’s joy through dancing.

And so it happened, one week ago today: By affirming the essential contribution of my mother – earth to my father’s sky – my own flight was released, and with this flight came a  completion that could only result in joy. Remarkably, there were witnesses, though participants would be the better word. Angels – human and otherwise thronged the room: sat in the chairs with smiles and/or tears on their beautiful faces, or swirled and swooped in the very air I breathed.

It has taken me all this week to be ready to write of the performance in the Ocean Springs Community Center for the twentieth anniversary of The Walter Anderson Museum, and I know even now that I cannot really convey what it was. Spiritual happenings are like this; moments when harmonic energies converge so completely can hardly be spoken of. How can one describe something that is too miraculous to remember clearly?

I can say that prior to the performance I was ridiculously human, my knee aching and threatening to lock, an esophageal burp threatening to erupt. Age and infirmity were doing battle with my faith in transcendence. Interestingly, wonderfully just before I entered that room of expectancy, two vaguely familiar figures appeared in my path.  Gaby and Laurent Charbonnet, Godchildren of my extreme youth, not seen in so many years that I cannot count them. And they tell me that their mother is with them. Grace! Grace will be in the room with me. This woman who had been a second mother to me during years when my need for mothering and guidance was excessive. Grace was a different sort of mother: youthful, beautiful – even glamorous – without the tiredness that my own dear mama couldn’t hide. Grace laughed and I forgot the challenges of life at home. So Grace was in the audience. The mother element was manifest as I sang the poem that had accompanied my walks for months.

“I have loved the earth mother today

heavily sensuous

curled to her broad warm back

like a baby –

 

I am secure –

 

The center of me

which is wont to cry out in the night

is connected –

 

Mysterious fears are vanquished

by the mother pull,

for I know that the other side of her

is love –

 

Day comes and the night

in shadow lies

As I lift my head to behold her gaze

the sun and the moon

polestars

and I am the morning star between –

 

Bright sunlight invites me

to sink my trust

into valleys of yielding depth,

impulsing a flight that takes me above

her mothering hills

to praise her gift of abiding love.”

 

Yes, I did go on to sing of the father- sky, and to ascend and to dance “with the little winged blessings in my father’s blue eye”, but that can wait for a future post. For now I am most content to rest in the arms of Grace.

 

A Reason To Dance

One week from today I will – yet again – find myself dancing before my father’s mural’s in the Ocean Springs Community Center. The occasion will be the twentieth anniversary of the Walter Anderson Museum of Art. I am dancing not as Leif Anderson, a dancer worthy of being seen, but as Leif Anderson, the daughter of the artist, Walter Anderson. This is a familiar reason to dance. There have been countless such appearances, and I have always risen to the occasion.

This time the rising is slow to happen. I find myself weary of celebrating the parent who was never really there. His rare appearances were of the nervous-making sort, possibly better than no appearances. I have made the most of my memories of my father in my book: DANCING WITH MY FATHER,  and this was a deeply healing experience – even freeing for a while. Yet – six years later – I am  still expected to celebrate his life  more than my own. I am obligated as he never  was by his child’s existence. Love wasn’t enough, I guess.

Because I do believe he loved me, perhaps saw in me some of his own passion for expression even as his quest repeatedly pulled him away to his solitary pursuits. And I have to believe he inspired me to follow my dreams, although it was my ever present mother who so nurtured those dreams – encouraged the flight by grounding it in reality.

She did this for him, as well, made a living that he might live – supported his artmaking that this same art might eventually support so many. Would there be a Walter Anderson Museum of Art without the dependable grounding love that Agnes Grinstead Anderson provided for her husband and their children. 

Perhaps whoever is reading this will understand that I have been questing as I write – questing for a reason to back up my Sunday performance – and I think I may have found it. My purpose (a familiar one, really) is to do my best to restore the balance. I shall begin by celebrating my mother’s essential contribution to the whole.

Years ago I wrote two poems to affirm my parentage. I revived them this year – have been singing them as I walk the dogs or drive around in the car. The interesting thing I have noticed is that the Earth Mother poem can stand alone. It comforts and grounds me as my human mother once did. But the Father Sky poem cannot fly alone; it requires the Earth Mother poem to lift off. It has to begin with her. Bless you, Mama… Daddy and I are eternally grateful for the dance.

An Abundance of Goddesses

On May twenty-seventh, which I shall always think of as Isadora Duncan’s birthday, no matter what has been proven since I first loved her, the goddess of the dance returned to me. She was the second goddess of the week to dance determinedly into the realm of Leif. First came Loie – in a book sent by my wise and loving friend, Kendall. Here was a birthday gift: TRACES OF LIGHT –  Absence and Presence in the Work of Loie Fuller. With Loie in my hands I was instantly present – the dance as real and full-blooded for the sixty-six-year-old as for the sixteen-year-old. I felt myself expand and billow, rising to unfurl as gloriously as the dancer’s silk. And just as the silk was settling and the light was dimming. Isadora glided forward: LIFE INTO ART – Isadora Duncan and Her World was left for me at the Shearwater Pottery showroom by a kind and thoughtful acquaintance, and once more I was pulled into consciousness of who I am. Entranced, I turned the pages to discover images familiar over years of living symbioticly with the spirit of this remarkable woman, but also photographs never seen before revived my love. It had been so long since I had been sure that she was with me as beloved guide. I might have wept at the sheer relief of her return, yet joy was uppermost, and I took her home to place her with the other one. Whatever rivalry may have existed when they lived and danced, I sensed compatibility in this instance. Two graces were united in one purpose. This was to pull the third grace back to the fold.

As the week has passed, I find myself more than willing to be enticed. Convinced by the persuasive power of these great revolutionaries of the dance, that neither death nor the aging body can subdue the spirit of truth, I find myself in a state of resurrection. The dance flows forth: The ink from  my brush alights upon the page as on a stage in gestures physical and true; the wire moves through my hands as surely, finding form and paying tribute to my dear companions;  then in the calm of evening, a Chopin nocturne lures the third grace into movement. I am dancing. We are dancing. All is well.